디즈니플러스 영화 추천 Disney Plus Recommendation This Week –

디즈니플러스 영화 추천C.S.Lewis

* Contains spoilers

This week’s recommended work is the 2022 horror film , which is currently being released exclusively on Disney Plus. Jack Creger, who is also an actor and comedian, directed and wrote the film, and Jozani Campbell, Bill Skarsgård, and Justin Long played the lead roles. In North America, the film was released in theaters in September 2022, but in Korea, the film went straight to OTT without a theatrical release. It was very popular when it was released in North America, and even when it was released on Disney Plus, it received rave reviews from numerous horror fans around the world. Currently, the only place where you can watch is Disney Plus, but the film is said to be released on Netflix starting next month, May 2nd.

‘Barbarian’, which is also the title of the movie, means strangers, barbarians, or untamed people, and is the theme and central material of . The main character, Tess, makes a reservation in advance for an old rental house near the Detroit area where the company is located for a company interview. The day before the interview, Tess arrives at the accommodation she reserved and confirms that someone else, Keith, has also booked this accommodation, resulting in a double-booked accommodation. However, although it is inconvenient because there is no way to find another accommodation now, she decides to live with someone else for a while. Starting that evening, strange things start to happen at the accommodation Tess has booked, and she ends up being chased by strange people on her way back to the accommodation right after the interview. And two weeks later, the owner, AJ, arrives at the house.

begins in an eerie ‘neighborhood’, the house where Tess and Keith stay, which are the protagonists of the creepy strangeness and weirdness, and the process of moments that reach the basement of AJ’s property, a ‘haunted house’. Draw . From the first day of staying in this house, strange and unknown phenomena occur, and Tess, who senses that someone is in the house, immediately informs Keith of the fact, but Keith also acts suspiciously. As suspicion grows in a situation where they cannot trust each other, Tess reaches the basement, a strange space in the house, to find fallen toilet paper, and finds traces of someone being imprisoned in a room and continuously filmed and recorded. The result of this filming is a depiction of the ‘barbarian’ living in the basement of this house. The two travelers try to run away, but are eventually caught by the barbarian.

The existence of the ‘Barbarian’ in the movie is like a crystallization of distorted ideas and obsession. It is also a type of creature that can be seen in other horror movies, and the before and after scenes that show the reality of this creature are very outstanding. In particular, the connection point between the story of Tess and Keith mentioned above and the scene where AJ, the owner of the house, visits the house in question, which is located relatively late in the story, begins very roughly. The part where it is revealed is surprisingly calm, but the connection between these scenes and the genre pleasure within the horror film genre are overwhelming. It may be disappointing if you think of it as a creature horror, but it has a social criticism aspect, and above all, it puts women (in various senses) at the forefront, and the description of the declining city called ‘Detroit’ is excellent.

When was released, the copy of ‘Never be spoiled and don’t intentionally watch the trailer’ was quite popular and helped its box office success, but the plot itself was creative, sensuous and unpredictable, unlike other horror movies. It proceeds as follows. In particular, the plot at the beginning of the movie uses many devices to deceive the audience, but if you really want to see this movie, it is best to watch it without any spoilers or understanding of the plot. This work was very impressive in its attempts to break down various cliches. Highly recommended to horror movie fans.

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